In no coherent order…
I took a trip to Savannah, an incredibly cinematic location as evidenced by the number movies that have been filmed there. I had originally intended to write a rather ambitious piece about the various movies set in Savannah, but I don’t know if that will ever actually happen. I’m such a deadbeat blogger. However, I still managed to earn a handful of film buff points on my vacation. I visited a beautifully restored, 1920s-era movie house, the Lucas Theatre. In the midst of a Mel Brooks festival, I finally saw Blazing Saddles for the first time. Young Frankenstein is probably still my favorite, but I like Blazing Saddles a lot more than I thought I would. Madeline Kahn is the bomb and always will be.
I’ve been watching Penny Dreadful on Showtime. I really love premium cable television series because they frequently cater to my minimal attention span with super-short seasons. Even I can commit to eight episodes. Penny Dreadful is wonderfully atmospheric and features some top-shelf performances, particularly by Eva Green. I’m not obsessed with it or anything, but I do find it entertaining enough to keep watching. The finale airs tonight, and if they don’t completely drop the ball, I expect to tune in for its second season. But I do wonder if it can maintain its grip on its audience after the novelty wears off. In the meantime, I’ve also been quite enjoying the episode recaps on The Mary Sue.
The “found-footage” trope continues to pursue its doctrine of manifest destiny. Now the darkness is creeping even into kids’ movies. Good luck with that, parents. Hope you remember to take an air sickness bag.
I really looked forward to Edge of Tomorrow, but it wound up a mixed bag. Most of it I did enjoy. It delivered fairly on the trailer, but the ending wussed out harder than Tom Cruise does at the beginning. It reminded me heavily of the way Source Code (a movie I also mostly admired) went for the super-happy-joy-joy ending when going out on a bittersweet note might have served the material better.